Career Opportunities
What We Offer:
Recognition and reward for outstanding performance. Competitive pay and the ability to increase income. Benefits, vacation, and paid holidays offered for all full time employees. Benefits include: Medical, dental, vision, Health Savings Account with company match, 401K with company match, and Life and Disability coverage.
Recognition and reward for outstanding performance. Competitive pay and the ability to increase income. Benefits, vacation, and paid holidays offered for all full time employees. Benefits include: Medical, dental, vision, Health Savings Account with company match, 401K with company match, and Life and Disability coverage.
For immediate consideration, please complete the application process. APPLY NOW!
Announcer
At the most basic level, an Announcer, well, announces. Of course, there’s more to it than that. The Announcer is essentially the voice of the radio station, because the Announcer is the person responsible for introducing content. Not only do Announcers lead into the actual tracks – they also read the advertisements and public service announcements that aren’t quite actual commercials.
In addition to taking on a slew of announcement-related tasks, radio station Announcers also have some other responsibilities depending on factors like the station’s size and budget. For example, the Announcer at a smaller station might be in charge of some technical duties, such as running the control board or keeping logs of the programs.
In addition to taking on a slew of announcement-related tasks, radio station Announcers also have some other responsibilities depending on factors like the station’s size and budget. For example, the Announcer at a smaller station might be in charge of some technical duties, such as running the control board or keeping logs of the programs.
MUSIC JOURNALIST, Writer, Journalist, Reporter, Music Critic
Job Description: Music Journalists write music criticism and music news for print, online, and broadcast media.
Music Journalists report on music news, interview musicians, review albums and concerts and write works of music criticism. An average day for a Music Journalist will involve a lot of time spent behind a computer, researching and writing stories. Music Journalists also sometimes attend record release parties and concerts. They are employed by print, online, and broadcast media outlets.
Music Journalists report on music news, interview musicians, review albums and concerts and write works of music criticism. An average day for a Music Journalist will involve a lot of time spent behind a computer, researching and writing stories. Music Journalists also sometimes attend record release parties and concerts. They are employed by print, online, and broadcast media outlets.
Staff Publicist
Job Description: Work to make sure Artists and record labels are represented positively to the general public. Also arranges press kits, campaigns, and more.
Staff Publicists are responsible for a variety of duties, but the main goal of the publicity department is to generate positive publicity for label-signed Artists. Of course, this good publicity helps sell albums, which in turn leads to revenue for the record company. In terms of whom the Staff Publicist works with, they usually work closely with the Artist’s own personal Publicist, or the PR firm as a whole. The difference between a personal Publicist and a Staff Publicist lies within the fact that the personal Publicist works to create an overall image for the Artist, firm enough to solidify their place among the general public. Meanwhile, the label Publicists are mainly concerned with creating positive buzz to sell records.
Black Ltd. Radio staff Publicists usually work with around 10 acts at a time, and are usually required to work long days, and then maybe go out to clubs, parties, and other functions to establish connections with the press or listen to the Artists they represent. During tours, the Staff Publicist might work with a Tour Publicist and other tour personnel in order to generate publicity for the tour.
Black Ltd. Radio staff Publicists usually work with around 10 acts at a time, and are usually required to work long days, and then maybe go out to clubs, parties, and other functions to establish connections with the press or listen to the Artists they represent. During tours, the Staff Publicist might work with a Tour Publicist and other tour personnel in order to generate publicity for the tour.
Radio Show Host
Local Morning/Evening Host- They’re on the air for just four hours a day, but the job of morning radio air personalities is much more work-intensive than just what comes out of the speakers. They often start their workday at 4 a.m., and post-show their day continues with meetings, commercial voiceover recordings and, in this era of enhanced fan interaction, blog posts, social media and original video content for the station’s website
Radio show hosts provide a personal connection between the radio station and listening audience and may be recognized for on-air work such as entertaining discussion, interviewing guests, providing news and traffic reports, and setting up music and advertisements.
On-air radio personalities must be comfortable and able to provide on-location relays and reports to provide perspectives from ongoing festivals, concerts, and other events and they may also be responsible for providing voice tracks for paid advertisements. They must always stay connected with their audience; beyond what listeners hear on the radio, the on-air personality should also utilize social media to reach out and stay relevant and connected. They often spend time off-air keeping up with national and local news, recent trends, and popular culture. They may occasionally be expected to make appearances at various public functions to promote their brand, so high energy and a positive demeanor are necessary for these events.
Radio personalities often have business-related responsibilities, as well. Regular meetings with staff and managers are necessary to find ways to increase listeners and improve techniques, and these hosts should be knowledgeable of various computer applications and technology issues. They generally work set shifts at their radio stations.
An engaging personality and excellent speaking skills are essential for radio show hosts. They must be verbally articulate and able to relate easily to the listening audience, as well as have a clear understanding of FCC guidelines. Aspiring radio show hosts should have a background in commercial radio to develop the basic understanding and techniques necessary to succeed in this position.
On-air radio personalities must be comfortable and able to provide on-location relays and reports to provide perspectives from ongoing festivals, concerts, and other events and they may also be responsible for providing voice tracks for paid advertisements. They must always stay connected with their audience; beyond what listeners hear on the radio, the on-air personality should also utilize social media to reach out and stay relevant and connected. They often spend time off-air keeping up with national and local news, recent trends, and popular culture. They may occasionally be expected to make appearances at various public functions to promote their brand, so high energy and a positive demeanor are necessary for these events.
Radio personalities often have business-related responsibilities, as well. Regular meetings with staff and managers are necessary to find ways to increase listeners and improve techniques, and these hosts should be knowledgeable of various computer applications and technology issues. They generally work set shifts at their radio stations.
An engaging personality and excellent speaking skills are essential for radio show hosts. They must be verbally articulate and able to relate easily to the listening audience, as well as have a clear understanding of FCC guidelines. Aspiring radio show hosts should have a background in commercial radio to develop the basic understanding and techniques necessary to succeed in this position.
Radio Show Host Tasks
Book and interview content- relevant guests.
Book and interview content- relevant guests.
- Select and develop content based on audience preferences, public requests, and program focus.
- Prepare and deliver content for radio audiences while managing guests and call -ins.
Intern
Performs a wide range of tasks within the record company or related business; learns through hands-on experience and gets a “foot in the door” as well as other compensatory items. As a result they earn tremendous experience, and learn about the company and industry. They take orders and report to the department head, director, or manager of other departments. Nearly every department hires an Intern, and depending on the size of the label; the Intern can get experience in various departments. Duties depend on which department the Intern is working in, meaning their responsibilities can range from addressing envelopes for a party thrown by the public relations department to helping make arrangements for press functions. As they learn more, they can actually begin writing press releases and attending a variety of meetings. Many Interns who do a good job during their time have a fairly good chance of becoming a paid employee of the company after the internship is over.
Disc Jockey (DJ) & Radio Producer
The radio disc jockey or DJ is an invaluable part of the radio broadcast team. The DJ is the voice of the radio station and as such, professionalism is required, but a sunny disposition is helpful as well. From their broadcast booth in the studio, the DJ shares music, appropriate commentary and ads with the general public. DJs are responsible for maintaining an accurate and consistent schedule of ads playing on the air; this requires close contact with the Ads Manger and other team members in order to keep up the requirements of the ad buys.The job requires both indoor and outdoor work time; DJs are primarily based out of the broadcast booth in the studio working with a technician on the main station equipment. However the position does require numerous on-location broadcasts. These broadcasts are integral to maintaining ad buys, media relations, a loyal fan base. They are mandatory and require working in all weather conditions.
The schedule for a DJ varies by need, however to maintain consistent broadcasting, most DJs do have set times to broadcast from the studio. On-location broadcasts will either be during those set broadcasts times or the DJ would be on location working in tandem with a DJ in the studio at a none scheduled time. The DJ requires basic radio broadcast licenses from the FCA, the government agency that oversees the broadcast of radio signals. Obtaining licenses usually requires taking a generalized test on radio and radio signal knowledge. The DJ must be proficient with computers in order to properly utilize broadcast system.
The schedule for a DJ varies by need, however to maintain consistent broadcasting, most DJs do have set times to broadcast from the studio. On-location broadcasts will either be during those set broadcasts times or the DJ would be on location working in tandem with a DJ in the studio at a none scheduled time. The DJ requires basic radio broadcast licenses from the FCA, the government agency that oversees the broadcast of radio signals. Obtaining licenses usually requires taking a generalized test on radio and radio signal knowledge. The DJ must be proficient with computers in order to properly utilize broadcast system.
Disc Jockey (DJ), Radio Tasks
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Radio Producer
The main responsibility of a radio producer is to handle the audio content of broadcasts, whether it is via radio, the Internet, and/or mobile platforms. The radio producer is involved from the beginning of the content development process, which includes generating ideas for programs, creating content, writing scripts, and finding interviewees. They are also charged with picking music, as well as converting text, graphics, and video files into other formats as needed. During the show itself, the producer performs a managerial role and helps handle audience responses. The day-to-day functions of a radio producer also include interviewing prospective employees, managing radio equipment, editing content, producing user-generated content, and making sure content is in compliance with copyright laws.
Radio producers typically work with broadcasting assistants, presenters, DJs, engineers, and information technology (IT) staff. Depending on their employer, the radio producer may also be responsible for handling the business aspects of the radio program, which includes commercial management. Their hours vary depending on the needs of their employer.
The requirements for becoming a radio producer typically include a bachelor’s degree or master’s degree in journalism, communications, or a related field. Experience in a related position is typically required or preferred. Radio producers must be well organized, able to work well in a team setting, and in possession of management and leadership skills.
Radio Producer Tasks
Radio producers typically work with broadcasting assistants, presenters, DJs, engineers, and information technology (IT) staff. Depending on their employer, the radio producer may also be responsible for handling the business aspects of the radio program, which includes commercial management. Their hours vary depending on the needs of their employer.
The requirements for becoming a radio producer typically include a bachelor’s degree or master’s degree in journalism, communications, or a related field. Experience in a related position is typically required or preferred. Radio producers must be well organized, able to work well in a team setting, and in possession of management and leadership skills.
Radio Producer Tasks
- Operate radio console for talk show programs and manage soundboards during live shows.
- Effectively interact with on-air talent and guests when needed.
- Oversee broadcasts and ensure that programs meet ratings objectives with Portable People Meter (PPM) measured audiences.
- Schedule guests and assist in crafting appropriate direction for day-to-day programming.
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